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Independent contemporary art photography digital and print magazine
Photo by
Irina Wallerius

open

call

The Beauty of Imperfection
The Beauty of Imperfection is an international open call by AGIDEL Magazine dedicated to the beauty of the imperfect, the fragile, the living, and the authentic. We invite artists to submit works in which imperfection becomes a source of expressiveness, individuality, memory, and strength. The theme is open to a variety of visual approaches and genres within contemporary photography. We look forward to seeing your work.

Important! Works created using artificial intelligence are not accepted.

agidel's open call

Pick of the week

Photo by
Olena Shylo
Photo by
Aliya Timonina
Photo by
Konstantin Peshkov
Photo by
Ekaterina Ivanova
Photo by
Giulia Filippi
Photo by
Maria Zhurina
Photo by
Cecilia Gioria
Photo by
Albert Kim
Photo by
Elya Kezene
Photo by
Tatiana Tishchenko
Photo by
Natalja Bindere
Photo by
Natali Dunaeva
Photo by
Andre Korsak
Photo by
Ivantsova Anastasia
Photo by
Marina Krasowska

Agidel’s choice

Photo by
Elena Kintero
Photo by
Antonina Marchenko
Photo by
Evgenia Tarasova
Photo by
Cristiana Zamboni
Photo by
Ekaterina Ivanova
Photo by
Anna Berezina
Photo by
Svetlana David
Photo by
Elena Donskaya
Photo by
Marina Sapozhnikova
Photographer of the month
Italy
I am Giulia Filippi, also known as Iovi Sacra Art. I have been working in photography for about 11 years.

My journey began with studies in Visual Arts at IED in Milan, and the real turning point came in my early twenties, when I moved to Berlin.

Although my career began in architectural and product photography for the commercial sector, my most intimate research belongs to Conceptual Surrealism. For several years now, I have been dedicating myself to self-portraiture, using my own image to question aesthetic canons and “sterilized” social models.

My greatest inspiration is the paradox of contemporary perfection. I seek beauty in imperfect things, and this vision lies at the heart of my main self-portrait project, Perfectly Imperfect, where each image becomes a staged fracture of identity, symmetry, and social expectations.





Giulia Filippi
Print magazine
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